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I also liked observing backstage work.or We met again at the Zenshuji festival.

Stage design is a vital component of Japanese dance — its also what makes the experience visually engaging for the audience.I loved dancing so much that I could do it all day without getting tired.I also hope to give back to my parents.

we were able to put on shows without inviting staff from Japan.I had the extraordinary experience of performing Tsurukame (Crane and Tortoise) with Mitsuhiro Sensei and Bando Hideko Sensei.

with the help and introductions of many supporters.

but I was also given the chance to listen to various stories.Uyesugi has devoted many years of community service promoting chado (tea ceremony).

and is a past director of the All U.she established NYLA USA Corp.

She is currently an advisor and historian of SCKF.She joined the Los Angeles chapter of the Urasenke Tankokai more than 35 years ago and has served as its chief administrative officer from 2015 to 2018.